Bardzo tanie apteki z dostawą w całej Polsce kupic levitra i ogromny wybór pigułek.

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is is a wonderful opportunity for theseoutstanding musicians to take part in this seriesand I would like to thank the five promoters formaking it possible.
Can I implore you to come and hear the stars ofthe future, so that they can share the results of alltheir hard work with you. Great performances areabout sharing great music.
Presented by Musicians’ Company Concerts andMaisie Lewis Young Artists Fund Yasmin Rowe pianoSarah Sew violinTadashi Imai piano Scarlatti
Andante spianato grande polonaisebrilliante Op. 22 Prokofiev
Scarlatti
Stevenson
Szymanowski
La Fontaine d’Arethuse Op. 30 No. 1 Winner of the Sevenoaks YoungMusician of the Year competition in2009, and other numerous other prizesYasmin Rowe has recently graduated fromthe Royal Northern College of Music.
Sarah Sew’s playing combines gravitas andpassion with a pleasing grace and lightnessof touch. Her musical partnership withTadashi Imai was sensitive and seamless. Sarah Singleton, Wiltshire Gazette and Herald Presented by the Countess of Munster Musical Trust Katie Bray mezzo-sopranoRosalind Ventris violaClare Jones harpJames Baillieu piano Tchaikovsky
Fantaisie sur un thème de Eugene Onegin arr. Walter-Kune
Marin-Marais
Schumann
Warum willst du and’re fragen Op. 12 No.11 R. Strauss
Liebst du um Schönheit Op. 12 No. 4 Saint-Saens
Rodion Shchedrin
Sibelius
Gestillte Sehnsucht Op. 91 No. 1Geistliches Wiegenlied Op. 91 No. 2 Far, Far from Each Other H76Where is it at Our Soul Doth Go?Music When Soft Voices Die All prizewinners in their own right, thesefour talented young musicians from theGuildhall School of Music & Drama,the Royal Academy of Music and theRoyal College of Music have joinedforces to present an inspiringprogramme for an unusual combinationof instruments and voice.
Presented by e Friends of Young Artists PlatformSupported by Tillett Trust & Milton Grundy Foundation Yuka Ishizuka violinNadav Hertzka pianoTim Lowe celloJames Baillieu piano Fantaisie sur un thème de Eugene Onegin Marin-Marais
Warum willst du and’re fragen Op. 12 No.11 R. Strauss Violin Sonata in Eb Op. 18
Liebst du um Schönheit Op. 12 No. 4 Saint-Saens
Introduction and Rondo capriccioso Op. 28 Rodion Shchedrin
Sibelius
M a l i nconia Gestillte Sehnsucht Op. 91 No. 1Geistliches Wiegenlied Op. 91 No. 2Phantasy in F Op. 54Introduction & AllegroFar, Far from Each Other H76Where is it at Our Soul Doth Go? Nadav Hertzka Yuka Ishizuka James Baillieu A violinist from the Royal Academy inLondon and a cellist from the GuildhallSchool of Music and Drama, togetherwith their pianists, share the honours inthis year’s Young Artists Platform MondayPlatform. ey are presenting a livelyprogramme of contrasting music mainlydrawn from the 19th and 20th centuries.
Schubert
ree Songs from Schwanengesang D957 Shostakovich
Vallée d' Obermann from Années de pèlerinage: Première année Suisse S160 No. 6 Vaughan Williams
Rachmaninov
Variations on a eme of Corelli Op. 42 Schumann
Preludes from e Well-Tempered Clavier I’m Dreaming of a White Christmas Wieniawski
PLG Young Artists from the 2011 New Year Series Cellophony a bold and brilliant bunch.ey even made Boulez sound like fun.sensuously andscintillatingly delivered.the pulsating momentumof Berio’s Korot.thrilling moment e Times thrilling to hear when played with this kind ofprecision and sensitivit e Guardian Berio’s Korot was a breathtaking essay Financial Times Jessica Zhu is a Chinese-American pianist from Houston, Texas who aged 20 had already wona host of important prizes in America beforemoving to study at the Guildhall School ofMusic & Drama. Earlier this year, she won firstprize at the Hasting International PianoCompetition.
Presented by the Royal Over-Seas League Jonathan McGovern baritoneTimothy End pianoCastalian Quartet ree Songs from Schwanengesang D957 KorotPiano Sonata in E flat Hob XVI/52 Shostakovich
Vallée d' Obermann from Années de pèlerinage: Première année Suisse S160 No. 6 Vaughan Williams
Variations on a eme of Corelli Op. 42 Schumann
Prelude to Tristan & IsoldePreludes from e Well-Tempered Clavier I’m Dreaming of a White ChristmasScherzo-Tarantella Op. 16 Gold Medal and First Prize in the 58thROSL Annual Music Competition in2010. He is joined by Timothy Endwho won the ROSL Accompanist Prizein the same year.
Fields Quartet) won the Elias FawcettAward in the 2011 ROSL Annual MusicCompetition. e Countess of Munster Musical Trust, which celebrated
its 50th anniversary in 2008, provides essential funding for
postgraduate music students. Additional promotional support is
offered to the most talented beneficiaries of the Trust through its
Recital Scheme at music clubs throughout the UK.
Contact: Gillian UreT: 01428 685427E: [email protected] Park Lane Group Young Artists Concerts, which started in
1956 with the free use of Park Lane House, are part of the PLG
Chamber Music, Anniversary and New Year Series, a continuing
programme for highly talented young artists which has presented
many of today’s foremost musicians.
Contact: John WoolfT: 020 7255 1025E: [email protected] e Royal Over-Seas League Annual Music Competition,
which celebrated its 50th anniversary in 2002, has built up a solid
reputation as a launching pad for the careers of outstanding youngmusicians now at the forefront of the music profession.
Contact: Roderick Lakin MBET: 020 7408 0214 ext 324E: [email protected] e Worshipful Company of Musicians promotes concerts
established through the generosity of donors of e Maisie LewisYoung Artists Fund and the Concordia Foundation Artists Fund.
Contact: Margaret AlfordT: 020 7496 8980E: [email protected] Young Artists Platform, established in 1983 with the support
of the Tillett Trust, offers performing opportunities to talented
young musicians and additional support in the early stages of their
careers.
Contact: Katie AveyT: 0845 070 4969 E: [email protected] www.thetillettrust.org.uk Tickets £15, £13, £10, £8
In Person 7 days a week; 10am – 8.30pm. Days without
an evening concert 10am – 5pm. No advanced booking in
the half hour prior to a concert.
By Telephone 020 7935 2141
7 days a week; 10am-7pm. Days without an evening
concert; 10am-5pm. ere is a £2 administration fee for all
telephone bookings which includes the return of your
tickets by first class post if time permits.
Online www.wigmore-hall.org.uk
7 days a week; 24 hours a day. ere is a £1 administration
fee for online bookings, which includes the return of your
tickets by first class post if time permits.
Booking Dates
24 October - booking now open
7 & 28 November - booking now open
5 December - booking now open
16 January - booking opens 1 October 2011
Facilities for Disabled People
For full details please contact House Management, tel: 020 7258 8210 or [email protected] Wigmore Hall, 36 Wigmore Street, London, W1U 2BPDirector: John Gilhooly, e Wigmore Trust. Registered Charity No. 1024838www.wigmore-hall.org.uk e Monday Platform is a joint initiative between fiveorganisations whose similar aims are to nurture andsupport young professional musicians. Whilstproviding unique performance opportunities, eMonday Platform also gives Wigmore Hall audiencesa chance to hear the very best emerging young artistsin a regular monthly series.
At a Glance
24 October, 7.30pm
Sarah Sew violin
Tadashi Imai piano
Yasmin Rowe piano
7 November, 7.30pm
Katie Bray mezzo
-soprano
Rosalind Ventris viola
Clare Jones harp
James Baillieu piano
28 November, 7.30pm
Yuka Ishizuka violin
Timothy Lowe cello
Nadav Hertzka piano
James Baillieu piano
5 December, 7.30pm
Cellophony
Jessica Zhu piano

16 January , 7.30pm
Jonathan McGovern baritone
Timothy End piano
Castalian Quartet
w w w . m o n d a y p l a t f o r m . o r g . u k

Source: http://www.thetilletttrust.org.uk/downloads/MondayPlatform_Oct2011.pdf

bmic.konkuk.ac.kr

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Example Research Article Submission Columbia Undergraduate Science Journal Gabriel Morris To the Founding Editor: Please find attached our original manuscript, "Do PAF-acetylhydrolase al elic variants affect plasma PAF-acetylhydrolase activity?", for your consideration for publication as a Research Article in the Columbia Undergraduate Science Journal. This work was complete

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