T O N Y W I G H T G A L L E R Y 845 West Washington Boulevard | Chicago 60607 | t. 312.492.7261 | [email protected]
Dannielle Tegeder American, b. 1971 Lives and works in New York EDUCATION
MFA School of the Art Institute of Chicago
BFA State University of New York at Purchase
Amsterdam School of Fine Arts, The Netherlands
Arrangements to Ward Off Accidents, Priska C. Juschka Fine Art, New York
Projecto El Sistema, Museo de Arte de Querataro, Mexico
7(x) = 20x + x5d-1 + (Yellow), Gregory Lind Gallery, San Francisco
The Chicago Index of the Invisible: Incidents and Interconnections, Bodybuilder and
Dannielle Tegeder: Paintings and Drawings, curated by Ruth Grover, The Cress
Smooth Shatter, Priska C. Juschka Fine Art, New York
Dannielle Tegeder, Rhapsodic Love is Chroma Construction, Galerie Xippas, Paris
Dannielle Tegeder, New Drawings, Susanne Vielmetter Los Angeles Projects
The Laboratory for Advancement of Utopian Thought, Bodybuilder and Sportsman
The New Metropolis: Safe Living Project, Gregory Lind Gallery, San Francisco
Death Rock City: Drawings and Structures, Priska C. Juschka Fine Art, Brooklyn
Cities of Construct: Underground Plans of Risk and Desire, MüllerDechiara, Berlin,
Winter Safe Cities?, Susanne Vielmetter Los Angeles Projects, Los Angeles
Safe City Project, Mixture Gallery, project room, Houston
Love, Lust and Other Mechanical Systems, De Chiara Gallery, New York
Dannielle Tegeder, New Works, Herter Art Gallery, University of Massachusetts
Drawing Show, Jan Cicero Gallery, Chicago
Sustainable?, curated by Elizabeth Langhorne, Chen Gallery, Central Connecticut State
40TH Anniversary 2008 Art on Paper, Weatherspoon Art Museum, Greensboro, NC
Remarks on Color, Galerie Baer, Dresden
T O N Y W I G H T G A L L E R Y 845 West Washington Boulevard | Chicago 60607 | t. 312.492.7261 | [email protected]Nature Interrupted, curated by Elga Wimmer, Chelsea Art Museum, New York
The 183rd Annual: An Invitational Exhibition of Contemporary Art, National Academy
Tension/Release, curated by Shane McAdams, Caren Golden Fine Art, New York
Future Tense: Reshaping the Landscape, Neuberger Museum of Art, Purchase, NY
In the Private Eye, curated by Yaelle Amir, Ise Foundation, New York A New High In Getting Low, John Connelly Presents, New York, NY Abstraction, Jette Rudolph Galerie, Berlin, Germany
Mapping the Self, Museum of Contemporary Art, Chicago
Prelude, Julie Chae Gallery, Boston
Personal Geographies, curated by Joanna Lindenbaum, Hunter College Times
Materiality (traveling exhibition), Clifford Gallery, Colgate University, Hamilton, NY;
Paperworks, curated by Daria Brit Shapiro, Paul Kopeikin Gallery, Los Angeles
Go North, New Yorker!, Peekskill Project 2006, Hudson Valley Center for
Contemporary Art (HVCCA), Peekskill, NY
Utopia, Michael Kohler Arts Center, Sheboygan, WI
Nature Interrupted, curated by Elga Wimmer, New Bedford Art Museum, MA
Site 92, in collaboration with Lili Herrera, Smack Mellon, Brooklyn
10th National Drawing Invitational, curated by Brian Young, Arkansas Art Center,
New Found Land, Priska C. Juschka Fine Art, New York
Wunderkammer II: Paisajes, Nina Menocal Galeria, Mexico City, Mexico
Constructed Realities: The Influence of Science and Engineering in American Art,
Center for Contemporary Art, Southeastern Louisiana University, Hammond, LA Edition Selects, curated by Nancy Princenthal, Lower East Side Print Shop,
Contingent Living, curated by Michelle Grabner, Bodybuilder and Sportsman
Open House, Brooklyn Museum of Art, Brooklyn, NY
System: Landscape, Caren Golden Fine Art, New York
Strange Worlds, curated by Tracy L. Adler, The Bertha And Karl Leubsdorf Art Gallery at Hunter College, New York
Summer Drawings, Mixture Contemporary Art, Houston
4 American Abstraction, Anne DeVillepoix Gallery, Paris
Paradox Paradise: Fred Tomaselli, Justine Kurland, Matt Mullican, Dannielle Tegeder, Castle Gallery, College of New Rochelle, New Rochelle, NY
Out of Site, curated by Anne Ellegood, The New Museum, New York and The Henry,
Rumors of War, curated by Franklin Sirmans, a Contemporary Exhibition inspired by
Selected Past Fellows, curated by Lilly Wei, Henry Street Settlement, New York
Ten Years of Artists at the Marie Walsh Sharpe Foundation, Ace Gallery, New York
Graves Supercomplication, Silverstein Gallery, New York
Drawings, Mixture Gallery, Houston
Wattage and Friendship, curated by David Hunt, MüllerDeChiara, Berlin
Artist in the Marketplace Exhibition, The Bronx Museum of Art, New York
T O N Y W I G H T G A L L E R Y 845 West Washington Boulevard | Chicago 60607 | t. 312.492.7261 | [email protected]Giddy, curated by Hamlett Dobbin, Rhoades College, Memphis, TN
Open Studios, The Marie Walsh Sharpe Foundation, New York
Night of 1,000 Drawings, Artists Space, New York
Growing Into Space, Silverstein Gallery, New York
Six Choose Six, Visual Arts Gallery, SUNY Purchase, New York
The School of the Art Institute of Chicago MFA Exhibition, Chicago
Anatomy and Intellect, Silverstein Gallery, New York
Jones Invitational, curated by William Lieberman of Zolla-Lieberman Gallery,
Robert Blackburn Printshop Edition fellowship
Yaddo Foundation Residency, Saratoga Springs (upcoming)
Banff Centre for the Arts, Artist Residency, Banff, Canada
Lower East Side Print Fellowship Edition Award
National Studio Program, PS1 Museum MOMA Affiliate, Clocktower, New York
Yaddo Foundation residency, Saratoga Springs
Henry Street Settlement Studio Fellowship
The Marie Walsh Sharpe Studio Fellowship, New York
The School of the Art Institute Scholarship Fund
Yale Norfolk School of Art and Music Nomination
Museum of Modern Art, Permanent Drawing Collection
Rosenberg, Karen. “Where Have All the Paintings Gone? To the National Academy,”
Jones, Caitlin. “In The Private Eye,” Rhizome.org. February 20, 2008.
McQuiaid, Kate. “At Three Sites, New Management and New Ideas,” The Boston
Artner, Alan. “Photos Spur Closer Scrutiny of Subjects,” Chicago Tribune.
T O N Y W I G H T G A L L E R Y 845 West Washington Boulevard | Chicago 60607 | t. 312.492.7261 | [email protected]
Artner, Alan. “Critic’s Choice,” Chicago Tribune. May 25, 2007.
Glisson, James. “The Chicago Index for the Invisible, Bodybuilder and Sportsman,”
Oates, Leah. “Mapping the Unresolved at The Chicago Index for the
Invisible, Bodybuilder and Sportsman,” NY Arts. November/December, 2007.
Foumberg, Jason. “Social Work,” New City. June 24, 2007.
Lincot, Emmanuel. Dannielle Tegeder- Priska C. Juschka Fine Art Gallery, New York,
Catalogue, Geographies (curated by Joanna Lindenbaum), Hunter College Times
Oates, Leah. “Smooth Shatter,” Interview, NYarts Magazine.
Oates, Leah. “Responding to Location in DUMBO,” NYARTS, NYarts Magazine,
"Re-Shuffle: Notions of an Itinerant Museum," Center for Curatorial Studies (CCS) at
Fel, Loïc. Dannielle Tegeder, Paris Art: www.paris-art.com (February).
Cirauqui, Manuel. “Review: Dannielle Tegeder at Galerie Xippas,” Lapiz, p. 92.
Siegel, Katie. ”Remote Viewing,” catalog for exhibition. 2005, p. 96.
Grabner, Michelle. "A different kind of animal," Art Review. May/June 2005, p.39.
Vincent, Steven. "Dannielle Tegeder at Priska C. Juschka," Art in America (May
Helguera, Pablo, "Dannielle Tegeder at Priska C. Juschka Fine Art," Tema Celeste
Stone, Katie. "Artseen: Dannielle Tegeder - Death Rock City at Priska C. Juschka
Fine Art," The Brooklyn Rail (December 2004/ January 2005), p.16.
Maine, Stephen. "Dateline Brooklyn," Artnet.com. December 15, 2004.
Finch, Charlie. "Lost and Found," Artnet.com. December 9, 2004.
Chasin, Noah. "Reviews," Time Out New York. December 2, 2004, p. 62.
Judicael, Lavrador. "Le(baby) Galeries Boom," BeauxArts. October 2004, p.108.
Gomez, Edward M. “Another World,” Art and Antiques. September 2004, pp.51-2.
Bird, Daniel. "Open House, Working in Brooklyn," The Brooklyn Rail. May 2004.
Bellini, Andrea. "I Nuovissimi di New York," Flash Art Italy. June-July 2004, p.93.
Kotik, Carlotta. "Open House," Exhibition Catalog, Brooklyn Museum.
Grabner, Michelle. "Contingent Living," Exhibition Catalog, Bodybuilder and
Adler, Tracy L. "Strange Worlds," Exhibition Catalog, Hunter College Art galleries.
Sanders, Joel. "Out of Site: Fictional Architectural Spaces,” Artforum. November,
Cotter, Holland. "Architectural Visions Keep Dreamers Awake," The New York
Sirmans, Franklin. "The Accelerated Grimace," Time Out. #47, July 11-18, 2002.
Halle, Howard. "Building the Future," Time Out. #46, July 4-11, 2002.
Williams, Gregory. "CRITIC'S PICKS New York: 'Out of Site' New Museum of
Contemporary Art," Artforum.com, September 2002.
Curcio, Robert. "Dannielle Tegeder, Clarina Bezzola, and Michael Miller," NY ARTS.
Ellegood, Anne. "Out of Site," Exhibition Catalogue, The New Museum of
T O N Y W I G H T G A L L E R Y 845 West Washington Boulevard | Chicago 60607 | t. 312.492.7261 | [email protected]
Hunt, David. "Dannielle Tegeder," BOMB 18. Summer 2002.
Kunitz, Daniel. "A Triumph for the New Museum," The New York Sun.
Smith, Roberta. "A Decade of the Space Program at ACE Gallery," The New York
Cotter, Holland. "Art in Review," The New York Times. January 4, 2002.
"Rumors of War at Triple Candie," Flash Art. #47, March-April 2002.
Snodgrass, Susan. Art In America. September 2001.
Yood, James. "Undercurrents Review," Tema Celeste. Issue 93, Summer 2001.
Hixson, Kathryn. The New Art Examiner 42. June/July 2001.
NY Arts Magazine. Volume 6/43, May 2001.
"New American Painting," Northeast Region. December 2000.
“The New York Contemporary Art Report,” The Chicago Art Journal. Spring,
"Review," The Chicago Reader. September 23, 1999.
"Critic's Choice," The Chicago Tribune. January 12, 1997.
"Review," The Chicago Reader. January 9, 1997.
URETERAL SURGERY – TO STENT OR TO CUT? University of Pennsylvania, School of Veterinary Medicine, Philadelphia, Pennsylvania Ureteral obstruction secondary to urolithiasis is the most common indication for ureteral The number of ureteroliths, the integrity of the ureteral wall, infection, and the presence or absence of concurrent nephrolithiasis, will often dictate the treatment
Eligibility Criteria for Clinical Trials1a Department of Computer Science,VU University Amsterdam, The Netherlandsb {huang,annette,Frank.van.Harmelen}@cs.vu.nlIn this extended abstract, we propose a rule-based formalization of eligibility criteria for clinical trials. The rule-based formalization is implemented by using the logic programming language Prolog. Comparedwith existing formalizations